Masahiko Satoh With Eddie Gomez – Chagall Blue
Masahiko Satoh With Eddie Gomez – Chagall Blue
Comments:
Japan Original Pressing. Mastersound!
Audiophile Japanese modern jazz—glassy piano and singing bass in spacious Master Sound sonics; lyrical, late-night, and deeply musical.
Satoh’s elegant touch and synth colors meet Bill Evans alumnus Eddie Gomez’s supple, melodic bass—recorded in CBS/Sony’s Master Sound “DM” chain for extra headroom and detail. The title cut Chagall Blue leans mellow-modal with a floating trio pulse (sample-friendly piano voicings), while the brisk mid-tempo swing piece on side B brings agile runs and roomy drum ambience for clean loops. Perfect for collectors who file next to Ryo Fukui’s reflective sides or ECM-style lyricism; selectors will appreciate the quiet passages, isolated piano figures, and woody bass phrases.
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About the Condition
About the Condition
| Grade | Description |
|---|---|
| S (Sealed) | Still sealed in factory wrap. Never played. |
| M (Mint) | Perfect condition. Looks unplayed with no signs of use. Typically used for records that are brand new or opened but never played. |
| EX (Excellent) | Very clean. May have light scuffs or hairline marks, but plays perfectly. |
| VG+ (Very Good Plus) | Minor wear, light surface noise, no major flaws — a solid average used copy. |
| VG (Very Good) | Visible wear and surface noise. Plays through without skipping. |
| G+ (Good Plus) | Heavily used. Significant wear or scratches, but still playable. |
+ / − may be added to indicate slight variations (e.g. VG+, EX−).
We visually inspect every record, and we clean each one before shipping (play-testing when needed). Even new or great-looking vinyl—especially some Japanese pressings—can have light background noise. We grade carefully by eye and ear, but it’s still a human call, so please check the notes before buying.
Shipping & Packing
Shipping & Packing
Tokyo-based. Ships worldwide (DHL/Japan Post).
Professionally packed with care. Fast dispatch.
Strict grading. Actual photos of the item.
